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released fourth album, Stan and Judy's Kid,
which contains "The Chanukah Song Part II"
and the groundbreaking internet animated
cartoon, The Peeper, which is also featured
on this same album. He's produced Sax at
the Movies
(Discovery), a clever collection
that features new versions of the time-
honored movie-music classics like "As Time
Goes By" performed by West Coast sax
masters such as Eric Marienthal and Warren
Hill. Much of Arthur's abilities were honed
early on at the side of production/writing
geniuses Jerry Leiber & Mike Stoller, Jeff
Barry & Ellie Greenwich, and Bert Berns,
and their sessions with The Dixie Cups,
Shangri-Las, Angels, Chiffons, and others
have proved some of the most lasting
recordings in rock history. In addition,
Arthur engineered over a dozen hits - from

the early "Cherry Cherry" to the classics
"Brooklyn Roads" and "Sweet Caroline" -
for Neil Diamond.
But those monumental sides were far
from the only historically prominent rock
records Arthur had a hand in creating. Van
Morrison (Brown Eyed Girl, Astral Weeks,
and Wavelength) and Bruce Springsteen
(Greetings From Asbury Park and E Street
Shuffle)
are just two future Rock & Roll Hall
of Famers whose records received the Arthur
touch. Along the way, Arthur also worked
closely with other producing legends,
including Phil Spector, Russ Titelman, and
Jerry Ragavoy.
In the 70's, Arthur began producing on
his own, and achieved similar successes. He
earned a GRAMMY Award for Janis Ian's tour
de force At Seventeen (indeed, he produced
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